1849-1912 Swedish painter, sculptor and playwright. He had no art training, but learnt from artist friends after abandoning his studies at the University of Uppsala in 1872. The chief influence on him was Per Ekström, whose broken colour-spot technique he attempted to copy during his initial painting period in 1872-4 in Stockholm and on the skerry-islands Kymmendö and Sandhamn. Very little of Strindberg's early painting survives, but he had already found his special motifs: the sea, usually with turbulent waves; solitary trees or flowers on bare cliffs or sandy beaches in the outermost fringe of the skerries. After he stopped painting in 1874 he became Sweden's leading art critic, as well as the ideological leader of the radical Swedish artists' movement, which in 1884 formed the Konstnärsförbund (the Artists' Association) in protest against the Academy of Art. Prominent among the members were the painters Carl Olof Larsson, Karl Nordström and Richard Bergh. During this period, however, he produced sketches in words and pictures as illustrations to his own writings, which Carl Larsson was commissioned to do thereafter. From 1883 he stayed abroad, primarily in France and Switzerland, and belonged during a couple of long periods to the Scandinavian artists' colony in Grez-sur-Loing, near Fontainebleau in France. In 1886 in Switzerland he started photography and took a series of self-portraits that were intended for publication  Related Paintings of August Strindberg :. | Seascape | Seascape | The City (nn02 | The Town | Wave VII |
Related Artists:
Antonio Rotta
painted L'enfant avec les raisins in 1884
Walter Crane,RWS
1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks. His early illustrative works included vignette wood-engravings for John R. Capel Wise's The New Forest: Its History and its Scenery (1862).
Hieronymus Bosch
Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.