Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Edouard Vuillard
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Edouard Vuillard

1868-1940 French Edouard Vuillard Galleries Jean-Edouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saone-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father\'s death, in 1884, Vuillard received a scholarship to continue his education. In the Lycee Condorcet Vuillard met Ker Xavier Roussel (also a future painter and Vuillard\'s future brother in law), Maurice Denis, musician Pierre Hermant, writer Pierre Veber and Lugne-Poe. On Roussel\'s advice he refused a military career and entered the Ecole des Beaux-Arts, where he met Pierre Bonnard. In 1885, Vuillard left the Lycee Condorcet and joined his closest friend Roussel at the studio of painter Diogene Maillart. There, Roussel and Vuillard received the rudiments of artistic training.  Related Paintings of Edouard Vuillard :. | Vial wife's breakfast | chat | The woman | Chair of the models | Public Gardens.The Conversation;The Nursemaids;The Red Parasol |
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William Strutt
English Painter, ca.1825-1915 was an English artist. Strutt was born in Teignmouth, Devon, England, and came from a family of artists, his grandfather, Joseph Strutt, was a well-known author and artist, his father, William Thomas Strutt, was a good miniature painter. William Strutt enjoyed a student life in Paris, France, and England, studying figurative and history painting. In response to a near-breakdown and problems with his eyes, Strutt decided to visit Australia, arriving 5 July 1850 on the Culloden, where he then married. In Melbourne, Strutt found employment as an illustrator on the short-lived Illustrated Australian Magazine, published by Thomas Ham, as there was little demand for the figurative and history paintings for which he was trained. Some of his designs did, however, lead to commissions, including a design for a new postage stamp, and an Anti-Transportation League card. Despite the lack of interest for major history paintings in Melbourne, Strutt continued to sketch suitable subjects, including the "Black Thursday" bushfires, which swept over the colony on 6 February 1851. It was from these sketches that Strutt composed one of his most notable paintings some 10 years later, Black Thursday, February 6th. 1851, 1864, which depicted animals and men fleeing from the fire. In February 1852, Strutt joined the growing tide of men travelling to the gold-fields surrounding Ballarat, Victoria. Despite working in the gold fields for eighteen months he found little success. He returned to Melbourne in mid-1853 and became actively involved in the city's cultural scene, undertaking a number of portrait commissions and joining the Victorian Society of Fine Arts as a founding member. William Strutt, Portrait of John Pascoe Fawkner, founder of Melbourne, 1856: oil on canvas; 61.3 x 51.2 cm. National Library of Australia.Strutt's interest in depicting the notable events of the colony was piqued by the events surrounding the Victorian Exploring Expedition led by Burke and Wills in 1860-61. He made several studies of their preparations at Royal Park, Melbourne, and followed the expedition to its first camp at Essendon, Victoria. Strutt also collected first-hand accounts from the rescue party and from John King,
JH Carse
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HUGUET, Jaume
Spanish Early Renaissance Painter, ca.1415-1492 Spanish painter. He is thought to have spent time in Saragossa in his youth (c. 1435-45), and he subsequently worked in Tarragona before establishing himself in Barcelona in 1448. He must, however, have had contact with painting from Barcelona before he moved there, because the centre panel of an early retable dedicated to the Virgin (Barcelona, Mus. A. Catalunya) from Vallmoll, near Tarragona, shows his awareness of the style of Bernat Martorell in the profiles of the two foreground angels, and of Llu?s Dalmau's Virgin of the Councillors (Barcelona, Mus. A. Catalunya) in the illusionistic painting of the Virgin's jewel-trimmed garments. In other early works, such as the Annunciation and Crucifixion from a small retable (Vic, Mus. Episc.),






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