Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | Madonna of Loreto (Madonna del Velo) at | The Loggetta of Cardinal Bibbiena | Madonna and Child | Portrait of Dona Isabel de Requesens | The Sibyls |
Related Artists:
Giulio Quaglio
(1610-1658 or after) was an Italian painter of frescoes. He was a follower of Tintoretto. He is known to have worked in Vienna, Salzburg, and Ljubljana. His son, Giulio the younger, was born in Como and established himself in the Friuli about the end of the 17th century. He is best known for frescoes at the chapel of the Monte di Piete, at Udine. He died in 1720. They are both part of a large family of artists and architects from the town of Laino, between Lake Garda and Lake Como, and which included Giuseppe Quaglio and his sons Lorenzo the younger, Simon, and Domenico; Lorenzo Quaglio the elder; and Giovanni Maria Quaglio and his son.
Thomas Hearne
British Painter, 1744-1817 English painter and engraver. From 1765 to 1771 Hearne studied printmaking as apprentice to the landscape engraver William Woollett, exhibiting watercolours meanwhile at the Free Society of Artists and the Society of Artists. In 1771 he abandoned engraving and accompanied Sir Ralph Payne to the Leeward Islands (where Payne had just been appointed Governor), returning in 1775; several of his fastidious watercolours of Antigua survive, for example the Court House and Guard House in the Town of St John's in the Island of Antigua (n.d.; London, V&A). From then on British topography was his main concern. He travelled widely in England, Scotland and Wales with Sir George Beaumont and from these excursions was able to provide 84 drawings which, engraved by William Byrne, were published as The Antiquities of Great Britain (1778-81). This series set new standards in the pictorial recording of medieval architecture. Hearne also provided drawings for etchings of landscapes and 'rural sports'.
David Roberts
1796-1864