Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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LE SUEUR, Eustache
The Muses: Melpomene, Erato and Polymnia sf

ID: 07833

LE SUEUR, Eustache The Muses: Melpomene, Erato and Polymnia sf
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LE SUEUR, Eustache The Muses: Melpomene, Erato and Polymnia sf


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LE SUEUR, Eustache

French painter (b. 1616/17, Paris, d. 1655, Paris). French painter and draughtsman. He was one of the most important painters of historical, mythological and religious pictures in 17th-century France and one of the founders of French classicism. He was long considered the 'French Raphael' and the equal of Nicolas Poussin and Charles Le Brun. His reputation reached its zenith in the first half of the 19th century, but since then it has been in decline, largely as a result of the simplified and saccharine image of the man and his art created by Romantic writers and painters. Nevertheless, more recent recognition of the complexity of his art has resulted in a new interest in him and in his place in the evolution of French painting in the 17th century. Despite the almost total absence of signed and dated works, the chronology of Le Sueur's oeuvre can be established with the aid of a few surviving contracts,   Related Paintings of LE SUEUR, Eustache :. | A Gathering of Friends af | The Muses: Melpomene, Erato and Polymnia | The Muses: Clio, Euterpe and Thalia dh | The Muses: Clio, Euterpe and Thalia | The Muses: Melpomene, Erato and Polymnia sf |
Related Artists:
OOST, Jacob van, the Elder
Flemish Baroque Era Painter, ca.1601-1671
Elisabeth Warling
painted Strandvagen-Stockholm in 1874
William Henry Knight
(26 September 1823 - 31 July 1863) was an English portrait and genre painter. Knight was born in Newbury, Berkshire where his father, John Knight, was a schoolmaster. He was to become a solicitor, but gave up his law studies after two of his paintings were accepted by the annual exhibition of the Society of British Artists. He moved to London in 1855, taking lodgings in Kennington Road, Lambeth, and supporting himself by drawing crayon portraits while studying in the British Museum and in the schools of the Royal Academy.






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