Jan van Beers
(22 February 1821 - 14 November 1888) was Flemish poet born in Antwerp. He is usually referred to as "van Beers the elder" to distinguish him from his son, Jan van Beers, the painter.
Van Beers was essentially a Netherlander, though politically a Belgian, expressing his thoughts in the same language as any North Netherland writer. In fact, the poems of Jan van Beers are perhaps more popular in the Netherlands than in Belgium, and of many of them there exist more editions printed in the Netherlands than in his political fatherland.
Van Beers started life as a teacher of Dutch language and literature, first at Mechelen, then at Lier, and in 1860 was appointed a professor of both at the Athenaeum (high school) in Antwerp, where he had also been a sub-librarian in the communal library. Van Beers as a teacher was early in the field, with Hendrik Conscience, Willems and others, when the Flemish movement began. He composed a Dutch grammar (1852), which, in enlarged editions, still holds the field, and a volume of selections from Dutch authors, both books being so much appreciated that the Belgian government made them text-books in the public schools.
Van Beers's historical poems, the principal of which is, perhaps, Jakob Van Maerlant (Amsterdam, 1860), helped the Flemish revival in Belgium as powerfully as his school-books. He is best known, however, as the writer of ballads and songs. Jongelingsdroomen ("A Young Man's Dreams") first appeared at Antwerp and Amsterdam in 1853. These poems were followed by Levensbeelden ("Life Figures or Pictures," Amsterdam, 1858) and by Gevoel en Leven ("Feeling Living," Amsterdam, 1869). His Rijzende Blaren ("Rising Leaves") first made its appearance at Ghent and Rotterdam in 1883. Related Paintings of Jan van Beers :. | Portrait of a Man | On the Balcony | Lady of the Directoire | On the Balcony | Portrait of a Man |
Related Artists:Eugeen Van Mieghem
(1 October 1875-1930) was a Belgian artist born in the port of Antwerp. As a boy Van Mieghem was confronted with the harsh reality of life at the waterfront.
Even at primary school he showed a talent for drawing. He was introduced to the work of Vincent van Gogh, Georges Seurat, Camille Pissarro, Henri de Toulouse-Lautrec and others at an exhibition organised by Flemish painter and architect Henry van de Velde at the Antwerp Academy around 1892. He attended the Antwerp Academy but was sent from school because his conservative teachers disliked his subject matter and his free, spontaneous way with it. He threw his lot in with progressive political and cultural movements, and joined an anarchist group. By the early 1900s was recognized as one of the most promising young artists of the Antwerp school. He would never renounce his idealism. He became the artist of the typical harbour folk: sack porters, sack makers, emigrants, dockers, bargees, and tramps.
Van Mieghem had his first taste of real success at La Libre Esthetique in Brussels, where his pastels and drawings hung alongside works by French impressionists such as Claude Monet, Paul Cezanne, Camille Pissarro, Jean Renoir and Edouard Vuillard.
Gideon Jacques Denny
(1830-1886) was a marine artist who was born in Wilmington, Delaware on July 15, 1830. As a young man, he worked on ships in the Chesapeake Bay. He traveled to California in 1849 with the Gold Rush. He worked as a teamster on the San Francisco docks and was a member of the San Francisco Committee of Vigilance. After two years in California, he moved to Milwaukee, where he studied painting with Samuel Marsden Brookes. After six years of study in Milwaukee, Denny returned to San Francisco and established a studio on Bush Street. In 1862, Brooks moved to San Francisco and shared a studio with Denny. In 1868, Denny spent two months in Hawaii visiting several islands. He is also known to have visited Canada and South America. Denny died of malaria in Cambria, California on Oct. 7, 1886.
The Berkeley Art Museum and Pacific Film Archive, the Bishop Museum (Honolulu), the Crocker Art Museum (Sacramento, California), the Fine Arts Museums of San Francisco, Monterey Peninsula Museum of Art, and the Oakland Museum of California are among the public collections holding works by Gideon Jacques Denny.
Luis de Morales
(1510 - 9 May 1586) was a Spanish painter born in Badajoz, Extremadura. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion.
Influenced, especially in his early work, by Raphael Sanzio and the Lombard school of Leonardo, he was called by his contemporaries "The Divine Morales", because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work.
His work has been divided by critics into two periods, an early stage under the influence of Florentine artists such as Michelangelo and a more intense, more anatomically correct later period similar to German and Flemish renaissance painters