Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jan Van Kessel the Younger
Still life of a watermelon,pears,grapes and melons,plums,apricots and pears in a basket,with a dog surprising a monkey and fraises-de-bois spilling ou

ID: 27353

Jan Van Kessel the Younger Still life of a watermelon,pears,grapes and melons,plums,apricots and pears in a basket,with a dog surprising a monkey and fraises-de-bois spilling ou
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Jan Van Kessel the Younger Still life of a watermelon,pears,grapes and melons,plums,apricots and pears in a basket,with a dog surprising a monkey and fraises-de-bois spilling ou


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Jan Van Kessel the Younger

1654-1708 Dutch Jan Van Kessel Gallery   Related Paintings of Jan Van Kessel the Younger :. | Lentree de l arche | Portrait of a Family in a Garden | Gemalde Der Erdteil Afika | A still life of tulips, a crown imperial, snowdrops, lilies, irises, roses and other flowers in a glass vase with a lizard, butterflies, a dragonfly a | Still life of a watermelon,pears,grapes and melons,plums,apricots and pears in a basket,with a dog surprising a monkey and fraises-de-bois spilling ou |
Related Artists:
Naqqash Sinan Bey
the period of 1465-1535
jean-simeon chardin
Jean-Baptiste-Simeon Chardin, född 2 november 1699 i Paris, död 6 december 1779 i Paris, var en fransk målare. Mästare på stilleben och genrebilder. Chardins blygsamma läggning, personliga stil och valet av motiv från medelklassens vardagsliv försenade hans succe i Bouchers och Fragonards Frankrike, men 1728 invaldes han i Franska akademin samtidigt som hans genrebilder genom gravörernas försorg blev populära. När 1700-talets hovkonst inte längre var populär, steg Chardins popularitet. De enkla kompositionerna, de ensamma gestalterna i form av köksflickor i arbete eller barn försjunkna i sina lekar, påverkade målare som på 1800-talet målade vardagsmotiv. Manet influerades starkt av den lugna klarheten i Chardins stilleben, liksom Courbet hade påverkats före honom.
John Quidor
1801-1888 Quidor was born in Gloucester Co., N. J., and in 1826 moved to New York City where he studied painting under John Wesley Jarvis and Henry Inman. Afterward he lived on a farm near Quincy, Illinois, but returned to New York City in 1851. He was obliged to support himself by painting the panels of stage coaches and fire engines and died in abject poverty. Although Quidor was little appreciated in his own time, after his death he was accorded a place among the best early American artists. His paintings establish a mysterious romantic setting for scenes in which he mingled macabre elements with an earthy humor. Many of his works, such as Ichabod Crane Pursued by the Headless Horseman, in the Smithsonian American Art Museum, were inspired by the writings of Washington Irving, who was a personal friend. Irving's A History of New York gave Quidor the subjects for the four paintings in the Brooklyn (N. Y.) Institute: Dancing on the Battery (c. 1860), Peter Stuyvesant's Wall Street Gate (1864), Voyage of the Good Oloff up the Hudson (1866), and The Voyage from Communipaw to Hell Gate (1866). These show Quidor's characteristic mellow and harmonious color, poetic imagination, and naïve humor. He is represented in the Brooklyn Museum by three paintings: Dorothea, Money Diggers, and Wolfert's Will. He also painted religious subjects such as Jesus Blessing the Sick.






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