Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Fedor Rokotov
Portrait of Anna Yuryevna Kvashnina Samarina

ID: 80386

Fedor Rokotov Portrait of Anna Yuryevna Kvashnina Samarina
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Fedor Rokotov Portrait of Anna Yuryevna Kvashnina Samarina


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Fedor Rokotov

Russian Painter, ca.1735-1808 Fyodor Stepanovich Rokotov (Fedor Rokotov) (Russian: ?????????? ??????????́?????????? ????́??????????) (1736?C1809) was a distinguished Russian painter who specialized in portraits. Fyodor Rokotov was born into a family of peasant serfs, belonging to the Repnins. Much in his biography is obscure. He studied art in Saint Petersburg Academy of Arts. After buying back his freedom in the end of 1750s he became established as a fashionable painter. In 1765, Rokotov was elected an Academician, but he did not work as a professor in the Academy long, because it interfered with his painting. He returned to Moscow in 1765, where he lived for the rest of his life. He had a lot of commissions there, becoming one of the best portrait painters of his time. Among his best-known portraits are Portrait of Alexandra Struyskaya (1772), sometimes called the Russian Mona Lisa and admittedly the most celebrated piece of the 18th-century Russian painting; Portrait of Countess Elisabeth Santi (1785), and Lady in a Pink Dress (1770s, illustration, right). Rokotov avoided painting formal portraits with lots of adornments and decorations. Instead he was one of the first Russian painters advancing a psychological portrait with attention to optical and atmospheric effects.  Related Paintings of Fedor Rokotov :. | Portrait of Catherine II | Portrait of Nathalie Petrovna Golitsyn in a white cap | Count I. G. Orlov. | Anna Yuryevna Kvashnina Samarina. | Portrait of Anna Yuryevna Kvashnina Samarina |
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Agasse, Jacques-Laurent
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Cornelis de Man
(Delft, 1 July 1621 - Delft, 1 September 1706) was a Dutch Golden Age painter. Kornelis was not satisfied with life in Delft. He wanted to travel beyond the port of Dordrecht and that is what he did, spending a year in Paris as soon as he came of age and had enough talent to pay his way with his painting skills. He was well-received, but set off in the Spring for Lyon in order to cross Lombardia and the mountains before another winter set in. He settled for two years in Florence, where he had a rich patron, but stayed the longest in Rome. On the way back home he stopped in Venice, and in the end was gone for a total of nine years






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