Greek-born Spanish Mannerist Painter, 1541-1614
Considered a representative of late Renaissance Spanish art, El Greco was actually born in Greece, on the island of Crete. After studying in Venice under Titian, El Greco settled in Toledo, Spain in 1577. At the time he was wildly popular, his emotionally religious paintings being just the ticket for the hometown of the Spanish Inquisition. After his death his work was largely ignored until the beginning of the 20th century; now he considered one of the inspired geniuses of Western art. His distinctive style features bold shapes and colors, with elongated and slightly distorted figures.
In Toledo El Greco was in constant demand and liked living large: he maintained a private orchestra to accompany his meals. Related Paintings of El Greco :. | Mary Magdalen in Penitence | The Christ is driving businessman in the fane | christ bearing the cross | self-portrait | The Pentecost |
Related Artists:Frederic Bazille
b.Dec. 6, 1841, Montpellier, France
d.Nov. 28, 1870, Beaune-la-Rolande
Frederic Bazille Galleries
was a French Impressionist painter best known for his depiction of figures.
Born in Montpellier, Herault, Languedoc-Roussillon, into a middle-class Protestant family, Bazille became interested in painting after seeing some works of Eugene Delacroix. His family agreed to let him study painting, but only if he also studied medicine.
Bazille began studying medicine in 1859. He moved to Paris in 1862 to continue his studies. There he met Pierre-Auguste Renoir, was drawn to Impressionist painting, and began taking classes in Charles Gleyres studio. After failing his medical exam in 1864, he began painting full-time. His close friends included Claude Monet, Alfred Sisley, and Édouard Manet. Born to a wealthy family, Bazille helped support some of these artists by giving them space in his studio and materials to use.
Bazille was just twenty-three years old when he painted several famous works, including The Pink Dress. His best known painting is Family Reunion (1867?C1868).Serhii Vasylkivsky
(October 19, 1854, Izium e October 7, 1917, Kharkiv) was one of the most prolific Ukrainian artists of the pre-revolutionary period and an expert on Ukrainian ornamentation and folk art.
Vasylkivsky grew up in an environment conducive to his development as an artist. He was born and spent his childhood in the picturesque surroundings of Izium, a city in the historical region of Sloboda Ukraine, and today's Kharkiv Oblast. The future painter had a chumak grandfather whose roots reached cossack ancestral lines. Vasylkivsky's father was a writer and taught his son the aesthetics of proper calligraphy. His mother, through her folk songs set the foundation which provided the inspiration for Vasylkivsky's art later in life.
When he was seven years old, his parents moved to Kharkiv, which at the time was a significant cultural center of Sloboda Ukraine. Vasylkivsky's first art lessons were given at the Kharkiv gymnasium by Dmytro Bezperchy, a student of Karl Briullov. During the years of his study, Vasylkivsky was able to use the extensive book collection of his relative and poet, V. Alexandrov. Among these were the works by Ivan Kotlyarevsky, Taras Shevchenko, and Nikolai Gogol, which made a strong impression on the young artist. After five years of education at the gymnasium and at the demand of his father, Vasylkivsky began studies at the Kharkiv Veterinary School. This lasted until 1873, when Vasylkivsky left veterinary studies due to his parents inability to pay for tuition. For a while, he worked as a civil servant in Kharkiv.
Jan Miense Molenaer
Dutch Baroque Era Painter, ca.1610-1668
was a Dutch genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of the successful Dutch painter, Frans Hals.
Molenaer achieved a style close to Hals early on in his career, but later developed a style like that of Dutch genre painter, Adriaen van Ostade. His genre works often depicted players of music, such as his The Music Makers (Museum of Fine Arts, Budapest), The Duet ((Seattle Art Museum), or Family Making Music (Frans Hals Museum). He also depicted Taverns and the activities of card games or games of the times such as La main chaude, or in Dutch, Handjeklap, which literally means clapping hands. Molenaer also cleverly depicted biblical stories in his own time and surroundings, such as representing a scene from Peter's Gospel set in a Dutch Tavern in, The Denying of Peter (Museum of Fine Arts, Budapest)