Edouard Vuillard Galleries
Jean-Edouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saone-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father\'s death, in 1884, Vuillard received a scholarship to continue his education. In the Lycee Condorcet Vuillard met Ker Xavier Roussel (also a future painter and Vuillard\'s future brother in law), Maurice Denis, musician Pierre Hermant, writer Pierre Veber and Lugne-Poe. On Roussel\'s advice he refused a military career and entered the Ecole des Beaux-Arts, where he met Pierre Bonnard.
In 1885, Vuillard left the Lycee Condorcet and joined his closest friend Roussel at the studio of painter Diogene Maillart. There, Roussel and Vuillard received the rudiments of artistic training. Related Paintings of Edouard Vuillard :. | Woman lying on the sofa | Mrs. Black s call | Masai Er portrait | Nude front of the fireplace | Self Study of Black people |
Related Artists:Felix Maria Diogg
(b Andermatt, 1 July 1762; d Rapperswil, Schwyz, 19 Feb 1834). Swiss painter. From 1782 he was a pupil of Johann Melchior Wyrsch in Besanion, under whom he developed the essential aspects of his portrait style. He also studied further in Rome and Naples from 1786 to 1788. He was capable of executing bright, incisive portraits in the manner of Angelica Kauffman, as in Portrait of an Artist or psychological studies, best seen in Ulysses von Salis-Marschlins. Several of his group portraits, such as the Esslinger Family, show the influence of Italian and British painting, with which he seemed to be familiar. He was a friend of Johann Kaspar Lavater, discoursed with Goethe and enjoyed the company of the Swiss historian Johannes von Miller (1752-1809), whose portrait he painted. His portraits are generally bust-length types set against a solid, dark background. This format was favoured by his Swiss clientele and is seen in Burgomaster Heinrich Krauer (1799; Lucerne, Kstmus.), which also reveals the dignified wooden pose frequently selected by his models. His direct, fashionable treatment of the sitter attracted a wide range of clients from all levels of society. He seemed to be as much at ease painting the Empress of Russia, Yelisaveta Alekseyevna (1814; Karlsruhe, Staatl. Ksthalle) as he was portraying the bourgeoisie of central Switzerland.William Rimmer
William Rimmer Gallery
William Rimmer (20 February 1816?C20 August 1879) was an American artist born in Liverpool, England. He was the son of a French refugee, who emigrated to Nova Scotia, where he was joined by his wife and child in 1818, and who in 1826 moved to Boston, where he earned a living as a shoemaker. The son learned the father's trade; at fifteen became a draughtsman and sign-painter; then worked for a lithographer; opened a studio and painted some ecclesiastical pictures.
In 1840 Rimmer made a tour of New England painting portraits, he lived in Randolph, Massachusetts, in 1845-1855 as a shoemaker, for the last years of the decade practising medicine; practised in East Chelsea, Massachusetts and received a diploma from the Suffolk County Medical Society and in 1855 removed to East Milton, Massachusetts where he supplemented his income by carving busts from blocks of granite.
In 1860 Rimmer made his head of St. Stephen and in 1861 his Falling Gladiator. Rimmer's sculptures, except those mentioned and The Fighting Lions, A Dying Centaur, and a statue of Alexander Hamilton (made in 1865 for the city of Boston), were soon destroyed. He worked in clay, not modelling but building up and chiselling; almost always without models or preliminary sketches; and always under technical disadvantages and in great haste; but his sculpture is anatomically remarkable and has an early Greek simplicity and strength.
Rimmer published Elements of Design (1864) and Art Anatomy (1877), but his great work was in the classroom, where his lectures were illustrated with blackboard sketches.
Rimmer's most famous work, though not normally associated with him, is Evening: Fall of Day. This paint-on-canvas portrays Apollo, and a modified version was used by Swan Song Records, the recording label founded in 1974 by English rock group Led Zeppelin, in their label art. It is often mistaken to be a picture of Icarus, Lucifer, Satan, or DaedalusGeorge Carter
an artist of considerable merit, was born at Colchester. He was an exhibitor at the Royal Academy in 1775, when he sent 'A Wounded Hussar on the Field of Battle.' He afterwards painted 'The Dying Pilgrim,' 'The Siege of Gibraltar,' and many portraits. He is known as the painter of 'The Death of Captain Cook,' 'The Fisherman's Return,' and other popular works, which have been engraved. He died at Hendon in 1795.