Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Edouard Vuillard
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Edouard Vuillard

1868-1940 French Edouard Vuillard Galleries Jean-Edouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saone-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father\'s death, in 1884, Vuillard received a scholarship to continue his education. In the Lycee Condorcet Vuillard met Ker Xavier Roussel (also a future painter and Vuillard\'s future brother in law), Maurice Denis, musician Pierre Hermant, writer Pierre Veber and Lugne-Poe. On Roussel\'s advice he refused a military career and entered the Ecole des Beaux-Arts, where he met Pierre Bonnard. In 1885, Vuillard left the Lycee Condorcet and joined his closest friend Roussel at the studio of painter Diogene Maillart. There, Roussel and Vuillard received the rudiments of artistic training.  Related Paintings of Edouard Vuillard :. | Self-portrait of glasses | Dr.Georges Viau in His Office Treating Annette Roussel | Black in the room | Moruisifu and her son | Sam portrait |
Related Artists:
Charles Frederic Ulrich
Charles Frederic Ulrich (1858, New York City - 1908, Berlin), was an American painter. According to the RKD he worked in the Netherlands ca. 1890. He attended the Royal Academy in Munich, Germany, as did William Merritt Chase, who like him, was influenced by Dutch Golden Age painting and who has been documented as painting his portrait. He was discovered by Thomas B. Clarke, a lace and linen manufacturer in New York who became a collector of contemporary American art. Ulrich painted his portrait in gratitude after his painting "In the Land of Promise, Castle Garden" was shown at the National Academy of Design, where it won the National Academy's first Thomas B. Clarke Prize for Best American Figure Composition.
Cesare Biseo
Italian, 1843-1909
MANTEGNA, Andrea
Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.






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