Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Edouard Vuillard
On the sofa

ID: 65975

Edouard Vuillard On the sofa
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Edouard Vuillard On the sofa


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Edouard Vuillard

1868-1940 French Edouard Vuillard Galleries Jean-Edouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saone-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father\'s death, in 1884, Vuillard received a scholarship to continue his education. In the Lycee Condorcet Vuillard met Ker Xavier Roussel (also a future painter and Vuillard\'s future brother in law), Maurice Denis, musician Pierre Hermant, writer Pierre Veber and Lugne-Poe. On Roussel\'s advice he refused a military career and entered the Ecole des Beaux-Arts, where he met Pierre Bonnard. In 1885, Vuillard left the Lycee Condorcet and joined his closest friend Roussel at the studio of painter Diogene Maillart. There, Roussel and Vuillard received the rudiments of artistic training.  Related Paintings of Edouard Vuillard :. | Shadow | Annette room in the Vial | The Library | portrait of bonnard | The young woman has red hair |
Related Artists:
Peter Monamy
was an English marine painter who lived between 1681 and 1749. Peter Monamy was baptised at the church of St Botolph's-without-Aldgate, London, England, on 12 January 1681 (new style). He was the last known surviving child of Peter, or Pierre, Monamy, born 1650 in Guernsey, and his English wife, Dorothy Gilbert; and the grandson of Andre Monamy, 1612-1680, who had been a strongly committed Commonwealth Parliamentarian in Guernsey during the 1650s. Dorothy Gilbert was the daughter of James Gilbert, who was Master of the Worshipful Company of Gunmakers in 1670 and 1672. The Monamy family had been prominent merchants and residents of Guernsey since at least the 1560s, and in the Channel Islands since the 1530s. The painter's father, Pierre, had a brother named Andre, or Andrew, who was active in London as a merchant trader in salt and wool, during the late 17th and early 18th centuries. In December, 1696, Andrew Monamy, together with his cousin, Daniel Le Febvre, is described as "guardian" of the children of Peter (i.e. Pierre) Monamy, deceased. The elder Peter Monamy appears to have died in about 1685. On 3 September 1696, Peter Monamy, aged 15, was bound as an apprentice for seven years by indenture to William Clark, a former (1687) Master of the Worshipful Company of Painter-Stainers, one of London's ancient guilds of craftsmen. Clark is recorded in several capacities in the London of the late 17th century, as a constable and juryman, with premises in Thames Street, and on London Bridge, and practised as what would today be called an interior decorator, with a thriving business. House decoration comprised a wide range of activities, including the provision of paintings as overdoors, and on panelling, house murals on canvas as well as decorative sign-boards for trade establishments. William Clark died before January, 1704, when his will was proved.
Emil Carlsen
Danish-born American Painter, 1853-1932 Soren Emil Carlsen (1853 ?C 1932) was an American painter associated with the Cos Cob Art Colony. Carlsen painted primarily landscapes and still lifes. His fastidiously painted still lifes are influenced by Chardin and often depict copper pans, game, or flowers. He was an art teacher for over fifty years; his students included James Swinnerton.
Philip Wilson Steer
English Painter, 1860-1942 was an English artist. Philip Wilson Steer was born in Birkenhead, the son of the portrait painter Philip Steer (1810-1871). After finding the examinations of the Civil Service too demanding, he became an artist in 1878. He studied at the Gloucester School of Art and then from 1880 to 1881 at the South Kensington Drawing Schools. He was rejected by the Royal Academy of Art and so studied in Paris between 1882 and 1884. He studied at the Acad??mie Julian, and then in the École des Beaux Arts under Cabanel. There he became one of the few English Impressionists. He is known for his landscapes, such as 'The Beach at Walberswick' (1890; Tate Gallery, London). He became a leader (with Walter Sickert) of the English Impressionist movement and was one of the founders of the New English Art Club in 1886. During the First World War, he was recruited by Lord Beaverbrook, the Minister of Information, to paint pictures of the Royal Navy.






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