Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Edouard Vuillard
Le Dejeuner a Villeneuve-sur-Yonne-o

ID: 01488

Edouard Vuillard Le Dejeuner a Villeneuve-sur-Yonne-o
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Edouard Vuillard Le Dejeuner a Villeneuve-sur-Yonne-o


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Edouard Vuillard

1868-1940 French Edouard Vuillard Galleries Jean-Edouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saone-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father\'s death, in 1884, Vuillard received a scholarship to continue his education. In the Lycee Condorcet Vuillard met Ker Xavier Roussel (also a future painter and Vuillard\'s future brother in law), Maurice Denis, musician Pierre Hermant, writer Pierre Veber and Lugne-Poe. On Roussel\'s advice he refused a military career and entered the Ecole des Beaux-Arts, where he met Pierre Bonnard. In 1885, Vuillard left the Lycee Condorcet and joined his closest friend Roussel at the studio of painter Diogene Maillart. There, Roussel and Vuillard received the rudiments of artistic training.  Related Paintings of Edouard Vuillard :. | Bamboo basket with a self-portrait mirror | actress | Take hat models | Simon portrait | Piano lady |
Related Artists:
Karel du jardin
1626-78 Dutch painter, etcher and draughtsman. His father was Chaarles de Jardin (Gardyn; c. 1599-before 1650), a fat-renderer, and his mother was Catalyn Borchout (1588-before 1650). They had at least one other child, Herbert, who must have died by 1651
Francisco Barrera
Spanish, 1595-1657,Spanish painter. Although he is sometimes thought to have been a Sevillian painter, his career is documented in Madrid. Barrera enjoyed considerable prestige and authority within the artistic community of the Spanish capital and in 1634 and 1639 represented his profession in significant legal battles concerning the status and rights of painters. However, Barrera's known paintings, all of which are still-lifes, are those of a derivative artist of modest abilities. In Still-life with Basket of Grapes, signed and dated 1642 (Florence, Uffizi), his arrangement of objects in a window-frame and on a stone ledge derives from works by Juan van der Hamen y Le?n but without that artist's refined compositional sense or mastery of pictorial space. The rather weak modelling of objects in this painting is consistent with Barrera's other still-lifes, which are further characterized by their light tonality, bland colouring and monotonous brushwork. Comparable stylistic features are found in the more accomplished still-lifes of Antonio Ponce, with whom Barrera is documented in the 1630s. Barrera's best works are those depicting the Four Seasons, signed and dated 1638 (Seville, priv. col., see 1982 exh. cat., pp. 78-85). These are still-lifes of abundant seasonal foodstuffs and, in landscape settings, large symbolic and genre figures drawn from traditional iconography.
Pieter Pourbus
(1523 - 30 January 1584) was a Dutch-born Flemish Renaissance painter. Remi Ommejaghere and his three sons Onze-Lieve-Vrouwekerk, Bruges, BelgiumPourbus was born in Gouda. He was known primarily for his religious and portrait painting and worked mainly in Bruges, where he had moved from Gouda by 1543. He died in Bruges. His son was the painter Frans Pourbus the Elder and his grandson was Frans Pourbus the younger






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