Italian b1240 - d1302
Cimabue Location
Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
Related Paintings of Cimabue :. | The Santa Trinita Madonna | Christ Enthroned between the Virgin and St John the Evangelist (detail) fgh | Madonna and Child Enthroned with Eight Angels and Four Prophets | Crucifix | Apocalyptical Christ (detail) dfh | Related Artists:
MASTER of Saint VeronicaGerman Gothic Era Painter, active ca.1395-1420
Alexis Simon Belle (12 January 1674 - 21 November 1734) was a French portrait painter, known for his portraits of the French and Jacobite nobility.
Belle was born in Paris, the second child and only son of Jean-Baptiste Belle (born before 1642, died 1703), also a painter, and of Anne his wife (died 1705).
Belle's birth and baptism are recorded in the parish register of the church of Saint-Sulpice, Paris, and quoted in Eugene Piot's Le Cabinet de l'amateur for the years 1861 and 1862
Jean PucelleFrench Gothic Era Manuscript Illuminator, ca.1300-1355
was a Parisian Gothic-era manuscript illuminator, active between 1320 and 1350. His style is characterized by delicate figures rendered in grisaille, accented with touches of color. Pucelle's most famous work is the The Hours of Jeanne d'Evreux, c. 1324-1328.