French Pand art Theorist , Paris1619-190 Virtual dictator of the arts in France until the death of Colbert in 1683. He established his reputation by a series of decorative schemes, and his own greatest compositions, which immortalize the achievements of the crown, are at Versailles. He became a founder, rector, chancellor, and finally director of the Academie Royale de Peinture et de Sculpture. He was also director of the Gobelins factory and Premier Peintre (1664). His Tent of Darius (1661), for Louis XIV, is a model of legibility, with the explicit and varied gesture and expression of the figures deriving from ideas expressed by Poussin. Lebrun's influential treatise,   Related Paintings of Charles Lebrun :. | The adoracion of the shepherds | Marquise de Roug with Her Sons Alexis and Adrien | Daedalus and Icarus | equestrian portrait of louis xlv | Weinie Mrs. Lebrun self-portrait |
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Pieter van Aelst
(August 14, 1502 - December 6, 1550) was a Flemish painter. He studied under Bernaert van Orley and later lived in Italy before entering the Antwerp Guild of painters in 1527. In 1533, he travelled to Constantinople for one year in a failed attempt to establish business connections for his tapestry works. Van Aelst established a studio in Brussels in 1544, where he created paintings and tapestries. His students include Gillis van Coninxloo, Willem Key, Hans Vredeman de Vries, Michiel Coxcie, and possibly Pieter Brueghel the Elder, who did eventually marry van Aelst's daughter, Mayken. His second wife, Mayken Verhulst, was an artist as well, and, according to Carel van Mander, the first teacher of her grandchildren, Pieter Brueghel the Younger and Jan Brueghel the Elder. He was also the uncle of Joachim Bueckelaer. Van Aelst's studio is also well known for its engraved works. In particular, van Aelst is noted for his 1539 translation of Sebastiano Serlio's architectural treatise, Architettura, which is credited with having played a crucial role in spreading Renaissance ideas to the Low Countries and hastening the transition from the late Gothic style prevalent in the area at the time. He was in charge of the spectacular decorations for the 1549 Royal entry into Antwerp of Philip II of Spain, "the most famous entry of the century", according to Roy Strong.
Pehr Horberg
was born January 31, 1746 in Virestad parish in Småland, Sweden and died January 24, 1816 in Risinge in Östergötland, Sweden, was a Swedish artist, painter and musician. In 1769 he married the maid Maria Eriksdotter and they had three sons. Pehr Hörberg birthplace Virestad is a small town and a village in Älmhult Municipality in Kronoberg County, in Småland, Sweden. It was formerly the central area of the old Virestad parish. The church in Virestad was built of stone 1799-1800 on the site of a former medieval church. Some of its treasures include a pulpit from the 1600s and an altarpiece by Pehr Hörberg. He died in Falla in Hällestad Bergslag, where he owned 1/4 of the homestead, and part of the village Olstorp, in Risinge parish, where he also owned 1/4 of the homestead. Both the fourth in Falla in Hällestad and the fourth in Olstorp in Risinge were mining districts estates, located in Finspång Municipality in Östergötland County. Hörberg got his "huts in an aiding position", so to his own satisfaction that he 25 years later wrote about Olstorp and the farm in Falla, that he had later acquired, that the estates were very importat for him.
Mauve, Anton
Dutch, 1838-1888 Dutch painter. He came from a large family of clergymen in the province of North Holland. At the age of 16 he was apprenticed to the animal painter Pieter Frederik van Os (1808-92): animals (especially sheep, but also cows and horses) became Mauve's preferred theme. He then trained for a few months with Wouterus Verschuur, who gave him his love of horses, in the style, at least, of Paulus Potter and Philips Wouwerman.