Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Almeida Junior
The Inopportune

ID: 65994

Almeida Junior The Inopportune
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Almeida Junior The Inopportune


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Almeida Junior

(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.   Related Paintings of Almeida Junior :. | Nha Chica | Victorino Carmilo | Tightening the Harness | model s rest | Caipiras Negaceando |
Related Artists:
Juan de Borgona
Spanish Painter, ca.1470-1534 was a High Renaissance painter who was born in the Duchy of Burgundy, probably just before it ceased to exist as an independent state, and was active in Spain from about 1495 to 1534. His earliest documented work was painted in 1495 for the cloister of the Cathedral of Toledo. Borgoña??s compositions are well balanced with finely drawn figures in elegant, tranquil poses. They are set either against open spaces leading on to craggy landscapes or against gold embroidered drapery. There were a number of foreign painters active in Spain in this period, including Juan de Flandes. Borgona??s students include Pedro de Cisneros the Elder (died 1546), Antonio de Comontes (ca. 1500-1519),
Jacob More
1740-93 Scottish painter, active in Italy. The son of an Edinburgh merchant, he was first apprenticed to a goldsmith and then, from 1766, to the Norie family of house-painters. In the 1760s he produced numerous sketches of the Scottish Lowlands (examples Edinburgh, N.G.), and in 1769 he designed and executed stage sets at the Theatre Royal, Edinburgh, for the first productions after the legalizing of the theatre in Scotland. More's Edinburgh period culminated in a series of oil paintings of the Falls of the River Clyde, three of which are in public collections: Corra Linn (Edinburgh, N.G.), Stonebyres Linn (London, Tate) and Bonnington Linn (Cambridge, Fitzwilliam). These paintings are regarded as the first serious artistic interpretations of the Scottish landscape, depictions by previous artists having been essentially topographical in character. More took a set of three of them to the Society of Artists Exhibition in London in 1771, at which he gained widespread recognition and the personal encouragement of Sir Joshua Reynolds.
Jean-Louis prevost le jeune
Noitel circa 1740-after 1810






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