Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Here are all the paintings of Rembrandt 08

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
20589 St Matthew and the Angel (mk05) Rembrandt St Matthew and the Angel (mk05) 1661 Canvas 38 x 32''(96 x 81 cm)Seized in the Revolution
84994 St Paul at his Writing Desk Rembrandt St Paul at his Writing Desk between 1629(1629) and 1630(1630) Medium Oil on wood cyf
8766 St Paul at his Writing-Desk Rembrandt St Paul at his Writing-Desk 1629-30 Oil on wood, 47 x 39 cm Germanisches Nationalmuseum, Nuremberg
24530 St Paul at his Writing-Desk (mk33) Rembrandt St Paul at his Writing-Desk (mk33) 1629-30
24574 St paul at his Writing-Desk (mk33) Rembrandt St paul at his Writing-Desk (mk33) c.1629/30 Panel. 47.2x38.6cm Germanisches Nationalmuseum
74358 St Paul in Prison Rembrandt St Paul in Prison English: St. Paul in Prison Date 1627 cyf
50262 St Peter-s Denial Rembrandt St Peter-s Denial mk210 1660 Canvas 154x169cm
34501 St.Bartholomew Rembrandt St.Bartholomew mk93 1661 Oil on canvas 34 1/8x29 3/4in J.Paul Getty Museum,Malibu
34495 St.John the Baptist Preaching Rembrandt St.John the Baptist Preaching mk93 c.1634 Canvas Iaid down on panel 24 3/8x31 1/2in
70846 Stadt auf einem Hogel bei sturmischem Wetter Rembrandt Stadt auf einem Hogel bei sturmischem Wetter Medium Oil on wood Dimensions Deutsch: 52 x 72 cm
68549 Stadt auf einem Hugel bei sturmischem Wetter Rembrandt Stadt auf einem Hugel bei sturmischem Wetter 1638(1638) Oil on wood 52 ?? 72 cm
50235 Still Life Rembrandt Still Life mk210 about 1665 canvas 126x106cm
50236 Still Life with with Flowers on a Marble Table Top Rembrandt Still Life with with Flowers on a Marble Table Top mk210 1716 Canvas 48.5x 39.5cm
24615 Still life with two dead Peacocks and a Girl (mk33) Rembrandt Still life with two dead Peacocks and a Girl (mk33) c.1639 Canvas 144x134.8cm unreliably signed
67425 Still life with two Peacocks and a Girl. Rembrandt Still life with two Peacocks and a Girl. ca. 1639 (1638-1640) Oil on canvas 145 X 135.5 cm (57.09 X 53.35 in)
94826 Storm on the Sea of Galilee Rembrandt Storm on the Sea of Galilee 1633 Type Oil on canvas Dimensions 160 cm x 128 cm cyf
80808 Stormy Landscape Rembrandt Stormy Landscape Date ca. 1638(1638) Medium Oil on wood Dimensions Height: 52 cm (20.5 in). Width: 72 cm (28.3 in). cjr
84995 Stormy Landscape Rembrandt Stormy Landscape 1638(1638) Medium Oil on wood cyf
8863 Stormy Landscape wsty Rembrandt Stormy Landscape wsty c. 1638 Oil on wood, 52 x 72 cm Herzog Anton-Ulrich-Museum, Braunschweig
57296 Stubbs bath in a spanner in Rembrandt Stubbs bath in a spanner in mk255 for in 1654. 1.42 x 1.42 meters canvas. Paris, the Louvre
50273 Studies of the Head of Saskia and Others Rembrandt Studies of the Head of Saskia and Others mk210 1636 15.1x12.6cm
67340 styresmannen for kladeshandlarskraet Rembrandt styresmannen for kladeshandlarskraet 1661 se
8774 Supper at Emmaus fu Rembrandt Supper at Emmaus fu 1648 Oil on canvas, 42 x 60 cm Mus??e du Louvre, Paris
34442 Susana van Collen,Wife of Jean Pellicorne,and Her daughter Eva Rembrandt Susana van Collen,Wife of Jean Pellicorne,and Her daughter Eva mk93 c.1632-34 London
3401 Susanna and the Elders Rembrandt Susanna and the Elders 1647 Staatliche Museen, Berlin
34462 Susanna and the Elders Rembrandt Susanna and the Elders mk93 1647 Oil on wood 30 1/8x36 1/2in Gemaldegalerie,Berlin
80220 Susanna and the Elders Rembrandt Susanna and the Elders 1647(1647) Oil on mahagony panel cjr
84462 Susanna and the Elders Rembrandt Susanna and the Elders 1647(1647) Medium Oil on cyf
84846 Susanna and the Elders Rembrandt Susanna and the Elders 1647(1647) Medium Oil on mahagony panel cyf
8768 Susanna and the Elders (detail) Rembrandt Susanna and the Elders (detail) 1647 Oil on canvas, 76 x 91 cm (full picture) Staatliche Museen, Berlin
24606 Susanna and the Elders (mk33) Rembrandt Susanna and the Elders (mk33) 1636 Panel. 47.2x38.6cm Signed and dated
24626 Susanna and the Elders (mk33) Rembrandt Susanna and the Elders (mk33) 1647 Mahogany panel 76.6x92.8cm
34461 Susanna Bathing Rembrandt Susanna Bathing mk93 1634 Oil on panel 18 1/2x15 1/4in Mauritshuis.The Hague
34582 Susanna Surprised by the Elders Rembrandt Susanna Surprised by the Elders mk93 1647 Oil on panel 76.6x92.7cm Berlin, Gemaldegalerie, Staatliche Museen Preubischer Kulturbesitz
8767 Suzanna in the Bath Rembrandt Suzanna in the Bath 1647 Oil on panel, 76 x 91 cm Staatliche Museen, Berlin
50238 Tablet Rembrandt Tablet mk210 1671 15x18x2.5cm
60428 The Abduction of Europa, Rembrandt The Abduction of Europa, The Abduction of Europa, 1632. Oil on panel. The work is considered to be "...a shining example of the 'golden age' of baroque painting."
34433 The Abduction of Proserpina Rembrandt The Abduction of Proserpina mk93 c.1632 Oil on panel 33 1/3x31 1/3in Gemaldegalerie,Berlin
82934 The abduction of Proserpina Rembrandt The abduction of Proserpina . 1631 (1630-1631) Medium Oil on oak panel Dimensions 84.4 x 79.7 cm (33.2 x 31.4 in) cyf
83143 The abduction of Proserpina Rembrandt The abduction of Proserpina 1631 (1630-1631) Medium Oil on oak panel Dimensions 84.4 x 79.7 cm (33.2 x 31.4 in) cyf
87788 The Abduction of Proserpina Rembrandt The Abduction of Proserpina between 1631(1631) and 1632(1632) Medium Oil on oak panel cyf
83941 The abduction of Proserpina. Rembrandt The abduction of Proserpina. Date between 1631(1631) and 1632(1632) Medium Oil on oak panel Dimensions Height: 85 cm (33.5 in). Width: 80 cm (31.5 in). cjr
34575 The Abduction of Proserpine Rembrandt The Abduction of Proserpine mk93 1631 Oil on panel 84.8x79.7cm Berlin,Gemaldegalerie, Staatliche Museen Preubischer Kulturbesitz
50260 The Adoration of the Shepherd A Night piece Rembrandt The Adoration of the Shepherd A Night piece mk210 c.1652 18x19.8cm
34595 The Adoration of The Magi Rembrandt The Adoration of The Magi mk93 Oil on paper glued to canvas 45x39cm
50253 The Adoration of the Magi Rembrandt The Adoration of the Magi mk210 1619 Cnavs 134x160cm
92947 The Adoration of the Magi. Rembrandt The Adoration of the Magi. 17th century Medium oil on canvas Dimensions 71 X 65.8 cm (28 X 25.9 in) cjr
34528 The Adoration of the Shepherds Rembrandt The Adoration of the Shepherds mk93 1646 Oil on canvas 38 1/5x28in Alte Pinakothek, Munich
8796 The Anatomy Lecture of Dr. Nicolaes Tulp SE Rembrandt The Anatomy Lecture of Dr. Nicolaes Tulp SE 1632 Oil on canvas, 169,5 x 216,5 cm Mauritshuis, The Hague
34565 The Anatomy Lesson by Dr.Tulp Rembrandt The Anatomy Lesson by Dr.Tulp mk93 1632 Mauritshuis, The Hague,Netherlands
24636 The Anatomy Lesson of Dr Foan Deyman (mk33) Rembrandt The Anatomy Lesson of Dr Foan Deyman (mk33) 1656 Canvas 100x134cm Rijksmuseum,Amsterdam
24546 The anatomy Lesson of Dr Nicolaes tulp (mk33) Rembrandt The anatomy Lesson of Dr Nicolaes tulp (mk33) 1632 The Hague,Mauritshuis
24637 The Anatomy Lesson of Dr Tulp (mk33) Rembrandt The Anatomy Lesson of Dr Tulp (mk33) 1632 The Hague,Maruitshuis
34550 The Anatomy Lesson of Dr.Joan Deyman Rembrandt The Anatomy Lesson of Dr.Joan Deyman mk93 1656 Oil on canvas 100x134cm Amsterdam,Rijksmuseum
30561 The Anatomy Lesson of Dr.Nicolaes Tulp Rembrandt The Anatomy Lesson of Dr.Nicolaes Tulp mk68 Oil on canvas The Hague,Mauritshuis 1632 Netherlands
33704 The Anatomy Lesson of Dr.Nicolaes Tulp Rembrandt The Anatomy Lesson of Dr.Nicolaes Tulp mk86 1632 Oil on canvvas 162.5x216.5cm The Hague,Mauritshuis
34450 The Anatomy Lesson of Dr.Nicolaes Tulp Rembrandt The Anatomy Lesson of Dr.Nicolaes Tulp mk93 1632 Oil on canvas 66 3/4x85in Mauritshuis,The Hague
21739 The Anatomy Lesson of Dr.Nicolaes Tulp (mk08) Rembrandt The Anatomy Lesson of Dr.Nicolaes Tulp (mk08) 1632 Oil on canvas, 162.5x216.5cm The Hague,Mauritshuis
21740 The Anatomy Lesson of Dr.Nicolaes Tulp (mk08) Rembrandt The Anatomy Lesson of Dr.Nicolaes Tulp (mk08) 1632 Oil on canvas, 162.5x216.5cm The Hague,Mauritshuis
34449 The Anatomy Lesson of Dr.Sebastian Egbertsz.de Vrij Rembrandt The Anatomy Lesson of Dr.Sebastian Egbertsz.de Vrij mk93 1619 Oil on canvas 53 1/8x73 1/4in Historisch Museum,Amsterdam
40440 The Anatomy Lesson of Dr.Tulp Rembrandt The Anatomy Lesson of Dr.Tulp mk156 1632 Oil on canvas 168.5x16.5cm
51127 The Angel Appearing To The Sheperds Rembrandt The Angel Appearing To The Sheperds 1634 Etching, burin, and drypoint, 261 x 218 cm
50259 The Angel Appearing to the Shepherds Rembrandt The Angel Appearing to the Shepherds mk210 26.2x21.8cm 1634
34579 The Angel Leaving Tobias and His Family Rembrandt The Angel Leaving Tobias and His Family mk93 1637 Oil on panel 66x52cm Paris,Musee du Louvre
24558 The angel leaving Tobit and his family (mk33) Rembrandt The angel leaving Tobit and his family (mk33) Panel paris, Musee du Louvre
92497 The angel Raphael leaving the family of Tobit. Rembrandt The angel Raphael leaving the family of Tobit. 1637 Medium oil on oak panel Dimensions 68 X 52 cm (26.8 X 20.5 in) cjr
34556 The Angel Stopping Abraham from Sacrificing Isaac to God Rembrandt The Angel Stopping Abraham from Sacrificing Isaac to God mk93 1635 Oil on canvas 193.5x132.8cm St.Petersburg,Hermitage
34586 The Angel stopping Abraham from sacrificing Isaac to God Rembrandt The Angel stopping Abraham from sacrificing Isaac to God mk93 Oil on canvas 193x132.5cm
24643 The Apostle Bartholomem (mk33) Rembrandt The Apostle Bartholomem (mk33) 1661 Malibu, J.P.Getty.Museum
34578 The Apostle Paul in Prison Rembrandt The Apostle Paul in Prison mk93 1627 Oil on oak panel 72.8x60.2cm Stuttgart,Staatsgalerie Stuttgart
24642 The Apostle Simon (mk33) Rembrandt The Apostle Simon (mk33) 1661 Zurich,Kunsthaus (mk33)
8769 The Archangel Leaving the Family of Tobias Rembrandt The Archangel Leaving the Family of Tobias 1637 Oil on wood,2 66 x 52 cm Mus??e du Louvre, Paris
80612 The Archangel Leaving the Family of Tobias Rembrandt The Archangel Leaving the Family of Tobias Date 1637(1637) Medium Oil on wood Dimensions Height: 266 cm (104.7 in). Width: 52 cm (20.5 in). cjr
20506 The Archangel Leaving the Family of Tobias (mk05) Rembrandt The Archangel Leaving the Family of Tobias (mk05) Wood ,26 x 20 1/2''(66 x 52 cm)Collection of Louis XV acquired in 1742
60454 The Archangel leaving Tobias, Rembrandt The Archangel leaving Tobias, The Archangel leaving Tobias, 1637
51740 The Archangel Raphael leaving Tobias-s Family Rembrandt The Archangel Raphael leaving Tobias-s Family nn09 1637 Oil on wood 66x52cm
34394 The Archangel Raphael Taking Leave of the Tobit Family Rembrandt The Archangel Raphael Taking Leave of the Tobit Family mk93 1637 Oil on panel 26x20 1/2in Louvre, Paris
21736 The Aristst in his Studio (mk08) Rembrandt The Aristst in his Studio (mk08) C.1626-1628 Oil on canvas. 25.5x32cm Boston,Museum of Fine Arts
24571 The Artiest in his Studio (mk33) Rembrandt The Artiest in his Studio (mk33) C.1629 panel 25x32cm Boston,Museum of Fine Arts
34491 The Artist as Zeuxis Rembrandt The Artist as Zeuxis mk93 1685 Oil on canvas 56x66 1/2in
8830 The Artist in his Studio Rembrandt The Artist in his Studio 1626-28 Oil on canvas, 25,5 x 32 cm Museum of Fine Arts, Boston
33703 The Artist in his Studio Rembrandt The Artist in his Studio mk86 c.1626-1628 Oil on canvas 25.5x32cm Boston,Museum of Fine Arts
24529 The Artist in his studion (mk33) Rembrandt The Artist in his studion (mk33) 1629
8815 The Artist's Son Titus du Rembrandt The Artist's Son Titus du c. 1657 Oil on canvas, 68,5 x 57 cm Wallace Collection, London
39690 The artist-s mother as the prophetess Hannah Rembrandt The artist-s mother as the prophetess Hannah mk150 1639 79.5x61.7cm
39691 The Artist-s Son,Titus van Rijn,Reading Rembrandt The Artist-s Son,Titus van Rijn,Reading mk150 c.1656/7 Canvas 70.5x64cm
34426 The Ascension of Christ Rembrandt The Ascension of Christ mk93 1636 Oil on canvas 36 1/2x26 7/8in Alte Pinakothek,Munich
91218 The Baptism of the Eunuch. Rembrandt The Baptism of the Eunuch. 1626(1626) Medium oil on panel Dimensions 64 x 47.5 cm (25.2 x 18.7 in) cjr
50239 The Battle of Ter Heide,10 August 1653 Rembrandt The Battle of Ter Heide,10 August 1653 mk210 about 1653 canvas 176x281.5cm
50254 The Beheading of John the Baptist Rembrandt The Beheading of John the Baptist mk210 149x121 c.1640 Canvas
3406 The Blinding of Samson Rembrandt The Blinding of Samson 1636 Stadelscleskunstinstut, Frankfurt
8764 The Blinding of Samson Rembrandt The Blinding of Samson 1636 Oil on canvas, 236 x 302 cm Städelsches Kunstinstitut, Frankfurt
30276 The Blinding of Samson Rembrandt The Blinding of Samson nn05 1636 God's champion defeated in the war of the sexes
34464 The Blinding of Samson Rembrandt The Blinding of Samson mk93 1636 Oil on canvas 80 3/4x107in
60452 The Blinding of Samson, Rembrandt The Blinding of Samson, The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
20592 The Carcass of Beef (mk05) Rembrandt The Carcass of Beef (mk05) 1665 Wood 37 x 27 1/4''(94 x 69 cm)Acquired in 1857
40470 The Company of Frans Banning Cocq and Willem van Ruytenburch also Known as the Night Watch Rembrandt The Company of Frans Banning Cocq and Willem van Ruytenburch also Known as the Night Watch mk156 1642 Oil on canvas 363x437cm
86632 The concord of the state. Rembrandt The concord of the state. Date between 1635(1635) and 1641(1641) Medium Oil on oak panel Dimensions 74.6 x 101 cm (29.4 x 39.8 in) cjr
29115 The Condemnation of Haman Rembrandt The Condemnation of Haman mk65 ca.1665 Oil on canvas 50x45 1/2"
34547 The Conspiracy of Claudius Civilis Rembrandt The Conspiracy of Claudius Civilis mk93 c.1661/62 Oil on canvas
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Rembrandt
1778-1860 Rembrandt Peale Galleries Rembrandt Peale (February 22, 1778 ?C October 3, 1860) was a 19th century American artist that received critical acclaim for his portraits of presidents George Washington and Thomas Jefferson. Although modern art critics would consider Peale??s artwork as French neoclassical, its dark and stylized characteristics are similar to 15th and 16th century paintings. Rembrandt Peale was born the third of six surviving children (eleven had died) to his mother, Rachel Brewer, and father, Charles Willson Peale in Bucks County, Pennsylvania, on February 22, 1778. The father, Charles, also a notable artist, taught each child to paint scenery and portraiture, and Rembrandt was no exception. Charles tutored Rembrandt about the importance of having a strong mind from learning arts and sciences. At the age of eight, Rembrandt discovered drawing, and at thirteen, painted his first known self-portrait. Later on in his life, Rembrandt Peale "often showed this painting to young beginners, to encourage them to go from 'bad' to better..." like his steady progressions to become a successful portraitist. A year after his mother??s death and remarriage of his father, Rembrandt Peale left the school of the arts, thereby applying his time to completing his first ever self-portrait at the age of 13. The canvas illustrates early mastery of a young aspiring artist, seeming very mature. The clothes, however give the notion that Peale over-exaggerated what a 13 year old would look like. This style demonstrates early forms of neoclassicism by the looks of Peale's angel-like hair, the way it waves and curls in such a fashion so as to depict an angel from a general Renaissance artist's works of art. In July of 1787, Charles Willson Peale introduced his son Rembrandt to George Washington, where the young aspirant artist watched his father paint the remarkable figure of the country. In 1795, at the age of 17, Rembrandt painted an aging Washington, though the painter had depicted the politician as far more aged than the original facial characteristics. It did, nevertheless attain praise and Rembrandt had begun his debut. At the age of 20, Rembrandt married 22-year-old Eleanor May Short (1776-1836) at St. Joseph's Catholic Church in Philadelphia. During their marriage, Rembrandt and Eleanor had nine children: Rosalba, Eleanor, Sarah Miriam, Michael Angelo, and Emma Clara among them. In 1822, Peale moved to New York City where he embarked on an attempt to paint what he hoped would become the "standard likeness" of Washington. He studied portraits by other artists including John Trumbull, Gilbert Stuart and his own father, as well as his own 1795 picture which had never truly satisfied him. His resulting work Patriae Pater, completed in 1824, depicts Washington through an oval window, and is considered by many to be second only to Gilbert Stuart's iconic Athenaeum painting of the first president. Peale subsequently attempted to capitalize on the success of what quickly became known as his "Porthole" picture. Patriae Pater was purchased by Congress in 1832 and still hangs in the U.S. Capitol. Later on, Peale made over 70 detailed replicas of the same "father of our country", the first President of the United States. Peale continued to paint other noted portraits, such as those of the third president Thomas Jefferson while he was in office (1805), and later on a portrait of Chief Justice John Marshall.
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